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	<title>ruthcollins.com</title>
	<link>https://ruthcollins.com</link>
	<description>ruthcollins.com</description>
	<pubDate>Tue, 24 Jan 2023 20:44:41 +0000</pubDate>
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		<title>VANITY FAIR NAPKINS</title>
				
		<link>https://ruthcollins.com/VANITY-FAIR-NAPKINS-1</link>

		<pubDate>Wed, 25 Mar 2020 04:11:30 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>VANITY FAIR NAPKINS
The second installment of the Amy Sedaris Vanity Fair Napkins social campaign. We partnered with Amy Sedaris’ longtime directing partner Paul Dinello on the spots. The scripts were constantly evolving which proved for a very fun shoot day.&#38;nbsp;


Director: Paul Dinnello / Caviar &#124; Editor: Jay Nelson / Cut+Run &#124; Method + Co3

Deliverables:&#38;nbsp; 12 x Videos, GIFs, &#38;amp; Stills (On-Set Photographer)




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		<title>PANDA EXPRESS</title>
				
		<link>https://ruthcollins.com/PANDA-EXPRESS-1</link>

		<pubDate>Wed, 25 Mar 2020 04:10:01 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>PANDA EXPRESS &#124; SOCIAL AR
Creation of 5 Instagram + Facebook AR filters &#38;amp; microsite to celebrate Lunar New Year 2020. I produced every component of the project: AR filter creation + microsite, original illustrations used throughout the filters, in-restaurant POP, as well as an in-house video shoot for the paid media demo videos.&#38;nbsp;
Production Company: unit9&#38;nbsp;
Deliverables: Everything listed above plus managaing the copy translations across 7 languages for users to access in Panda Express markets globally.&#38;nbsp;

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Users uploaded videos to their social feeds to enter a sweepstakes.

Microsite that users reached by scanning QR codes. 
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		<title>META QUEST</title>
				
		<link>https://ruthcollins.com/META-QUEST</link>

		<pubDate>Tue, 24 Jan 2023 20:44:41 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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META QUEST &#124; ORGANIC SOCIAL
Internally produced holiday content targeting new Meta Quest headset owners across social channels.&#38;nbsp;


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		<title>MISSOURI LOTTERY</title>
				
		<link>https://ruthcollins.com/MISSOURI-LOTTERY</link>

		<pubDate>Fri, 12 May 2017 19:53:09 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>MISSOURI LOTTERY

 “Nature is Amazing” TV spots that were all shot in St. Louis. The wonderful Ben &#38;amp; Dave directed on a loan-out from their main production company at the time.&#38;nbsp;


Directors: Ben &#38;amp; Dave / 90 West&#38;nbsp; &#124; Editor: Joy Moeller/ 19 Below &#124; 19 Below + Co3




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		<title>ADIDAS</title>
				
		<link>https://ruthcollins.com/ADIDAS</link>

		<pubDate>Wed, 25 Mar 2020 02:56:34 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>
	adidas CLIMACOOL

Web and social stills/animations for the adidas 2020 Climacool drop.&#38;nbsp;

Photographer:&#38;nbsp; Ronnie Dai &#124; Animation: JAMM&#38;nbsp;




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		<title>TACO BELL</title>
				
		<link>https://ruthcollins.com/TACO-BELL</link>

		<pubDate>Tue, 10 Oct 2017 22:59:20 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>TACO BELL
I worked with two creative teams on two different concepts for the Naked Egg Taco launch. We kept both spots with the same director. The animated butterfly was very fun to create with the team at Titmouse.&#38;nbsp;
Director: Matt Kamen / Goodoil Films&#38;nbsp; &#124; Editor: Graham Turner / Cabin &#124; MPC + Co3 &#124; Animation: Titmouse&#38;nbsp;


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	<item>
		<title>META PORTAL</title>
				
		<link>https://ruthcollins.com/META-PORTAL</link>

		<pubDate>Thu, 12 Jan 2023 20:30:05 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>META PORTAL &#124; BRAND
The lovely AMV BBDO team produced a plethora of assets for the Meta Portal Remote Worker campaign. The media buy was full-funnel, inclusive of TV, digital, stills, and web deliverables for the US and UK markets.&#38;nbsp; &#38;nbsp;
&#38;nbsp;

&#60;img width="536" height="1066" width_o="536" height_o="1066" data-src="https://freight.cargo.site/t/original/i/29433ebd9a38f39c21e3c2b5e4f974a4862758a09cd480d2b41030f28dab39ff/ezgif-5-cd5a367b0e.gif" data-mid="166383929" border="0"  src="https://freight.cargo.site/w/536/i/29433ebd9a38f39c21e3c2b5e4f974a4862758a09cd480d2b41030f28dab39ff/ezgif-5-cd5a367b0e.gif" /&#62;

&#60;img width="1426" height="1098" width_o="1426" height_o="1098" data-src="https://freight.cargo.site/t/original/i/ca555e3233343b8517d82d36b94935492115a9c5e959680b421696a708e7f06c/Screenshot-2023-01-31-at-12.43.09-PM.png" data-mid="166810797" border="0"  src="https://freight.cargo.site/w/1000/i/ca555e3233343b8517d82d36b94935492115a9c5e959680b421696a708e7f06c/Screenshot-2023-01-31-at-12.43.09-PM.png" /&#62;
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		<title>GOOGLE </title>
				
		<link>https://ruthcollins.com/GOOGLE</link>

		<pubDate>Mon, 06 Jun 2016 01:06:24 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>GOOGLE CHROMEBOOK&#38;nbsp;

User-generated content merged with shot footage. I learned the importance of kerning on this project.&#38;nbsp;
Production: Hecho &#124; Post-Production + VFX: Wolf &#38;amp; Crow



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	<item>
		<title>WINDEX BIRDS</title>
				
		<link>https://ruthcollins.com/WINDEX-BIRDS</link>

		<pubDate>Mon, 06 Jun 2016 01:20:32 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>WINDEX BIRDS &#124; PHOTOREAL CG&#38;nbsp;
The “Windex Birds,” AKA Wayne and Jeff, needed a contemporary make-over that was both equally modern and production-friendly.&#38;nbsp; We led clients through an intensive re-design that begin with pencil sketches and finished with the below CG motion test.&#38;nbsp;
VFX: The Mill, Chicago


</description>
		
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	<item>
		<title>GLADE</title>
				
		<link>https://ruthcollins.com/GLADE</link>

		<pubDate>Tue, 24 Mar 2015 19:55:06 +0000</pubDate>

		<dc:creator>ruthcollins.com</dc:creator>

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		<description>GLADE
The Mill+ was instrumental in bringing this campaign to life. We filmed the doves against a giant blue-screen on a phantom in-between the live action scenes. There were lots of moving pieces between pre-production, filming, and post, but it all came together in the end.&#38;nbsp;
Production + Post-Production:&#38;nbsp; The Mill+



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